Black Sails

I’ve just finished watching the second season of Black Sails, and enjoyed it enough to be motivated to write a post about it! I thought the first season was excellent, and this one was a solid step up, both in terms of the story and the characters.

The storyline is developing nicely and expanding to give the viewer a broader appreciation of the characters and the world they inhabit. A new character was brilliantly sinister, while others were developed to a much deeper level, Charles Vane in particular, who is threatening to knock Jack Rackham from his perch as my favourite character. Vane has been brought from a comparatively two dimensional psycho to a man with much more interesting dynamics, and I’m really looking forward to seeing where they take him in the next season. The sets are incredible, and the ship scenes brilliant. It captures the atmosphere of the period brilliantly, and shows the pirates as far more than plundering, rum swigging savages.

If you haven’t seen it yet, it’s well worth a look. A word of warning however – it’s definitely for a grown up audience. Lots of nudity, violence, and bad language. It’s certainly not Pirates of the Caribbean!

The First Blade of Ostia Back Cover Copy…

Here’s the back cover copy for the upcoming ‘The First Blade of Ostia’.

The ‘First Blade of Ostia’ is an accolade few will achieve. In Ostenheim, a city obsessed with duelling, it is one that nobody forgets.

Bryn’s earliest memory is of watching duels in the arena. His earliest dream is of taking his place there.

Amero has no dreams. His life has been about fulfilling the expectations of others. In search of a path of his own, the dreams of others are too tempting to resist.

After years of sacrifice and hard work, Bryn is finally a professional duellist. Becoming the First Blade of Ostia no longer seems the childish fantasy it once did. To find the man standing in his way is also his best friend will test him in ways he would never have believed.


Cover design is progressing well, and I’m really happy with the initial concepts, which are being tweaked as I write. Hopefully they’ll be ready for a cover reveal in the next week or so!

Modern (ish) Swashbucklers

After my post Christmas series of blogs about the great swashbuckling movies from the golden age of Hollywood, I’ve been keeping my eye out for some more recent examples. I’m a big fan of this type of movie (if you couldn’t already tell), so if anyone has any other suggestions of movies worth checking out, please let me know.

So, here’s my list of favourites, in no particular order:

1. The Princess Bride (1987). Starring Cary Elwes, Mandy Patinkin, Robin Wright.

This is a great movie, based on a great book. The sword fight between The Dread Pirate Roberts and Inigo Montoya atop the Cliffs of Insanity is absolutely brilliant, and is worth watching the movie for by itself. It’s not so much the actual swordplay, which is great, but the wit in the writing behind it that really sets it apart as an absolute classic.

Pretty much every character in this film is worthy of a full movie of their own, from Fezzik the Giant to Vizzini and Peter Cook’s ‘Impressive Clergyman’. This movie, and the book it’s based on ooze brilliance from every pore. Just writing about it makes me want to go and watch it again. (Which I’m probably going to do as soon as I finish this post!)

2. Alatriste (2006). Starring Viggo Mortensen. (Spanish, with English subtitles)

Alatriste is a Spanish film, based on the Alatriste series of books by Spanish author Arturo Pérez-Reverte. Pérez-Reverte is one of my favourite writers, and is well worth checking out. His work covers quite a range of subjects (the Johnny Depp film, The Ninth Gate, was based on Pérez-Reverte’s ‘The Dumas Club’ for example) but this movie is based on his series about early 17th Century soldier Diego Alatriste, set against the Dutch Revolt and various other events of the period.

The film provides a fantastic picture of period Spain; the costumes, settings and whole atmosphere of the film are really impressive. I don’t really want to go into too much detail about the sword fights for fear of spoilers, but there’s a pretty good one in it, and for a fan of swashbuckling films, I’d consider this  a must-see.

3. The Fencing Master – El Maestro de Esgrima (1992)(Spanish)

Another adaptation of a Pérez-Reverte novel of the same name. I saw this movie on TV quite a few years ago now; it was what put me onto Pérez-Reverte’s books in the first place. It’s been some time since I saw it, so I don’t remember all the details. I’ve been trying to track down a copy of it ever since as I really enjoyed it, but with no luck. I’ve kind of put it here in the hope of adding to web-traffic interest for a DVD release (assuming there hasn’t already been one that I’ve missed)!

It’s the story of a fencing master at a time when the noble arts of swordsmanship are of declining popularity in Spain, who gets caught up in various intrigues when a beautiful and mysterious woman comes to his salle for lessons. The book is excellent if, like me, you have no luck in tracking down the movie (it’s worth reading even if you do find the film though!).

4. Stardust (2007). Starring Charlie Cox, Claire Danes, Robert De Niro.

Based on the excellent Neil Gaiman novel of the same name, this is another one where both book and movie should be looked at.

Not an outright swashbuckler, but the persona taken on by the main character, Tristan, and De Niro’s Captain Shakespeare give it enough of that flavour to get it on the list. All round, it’s a really enjoyable film and well worth watching.

5. The Mask of Zorro (1998). Starring Antonio Banderas, Anthony Hopkins, Catherine Zeta Jones.

Essentially  a remake of what is perhaps the greatest swashbuckling movie of all time (see my earlier post here for that one) with Tyrone Power and Basil Rathbone, arguably the two best swashbuckling stars of all time, this one was always going to be up against it.

However, I think they did a really great job. Banderas is brilliant in the role, Hopkins is equally brilliant as always, and Zeta Jones rounds off a pretty excellent cast.

No point in rehashing the story, but safe to say, if you enjoy swashbuckling adventure movies, this one is unlikely to disappoint!

If anyone has any other more modern swashbuckling films to suggest, please feel free to let me know, either in the comments or via my contact page, as I’m always on the look out for new ones!

All images were sourced from Wikipedia and are © their respective copyright holders.

Swords and Honour

Number 3 in the inspiring areas of history series of blogs. Usual caveat found here applies!

Plagues aside, the Renaissance period generally saw a substantial growth in the size of cities, Venice, Florence and Genoa begin good examples in Northern Italy. As people began to spend more time in cities and with the explosion in commerce that came around the same time, social mobility was high. In a society with strong social stratification, it became more difficult to tell who came from what rank and those who wished to stand out had to find new ways to do so. Simply looking well fed and clothed was no longer enough. For gentlemen, one method was to carry a sword.

While there are other factors at play in explaining the fashion for carrying swords, one was certainly that it was a statement of social rank. Carrying, and being able to use a sword was a statement that you could afford to own it, and you had the free time to learn how to use it, i.e. that you didn’t need a day job to earn a living!

In terms of the shape and style of swords, this period takes us from the plain cruciform shape that had dominated the medieval period to long bladed rapiers with complex hilt designs. As an accessory to a gentleman, they became something of a fashion statement and there are many particularly impressive examples to be found in museums around the world. In some respects they can be seen in the way flashy jewellery is today as their design was often as dictated to by style as practicality.

With lots of ‘honourable’ gentlemen wandering about with swords and too much free time, duelling among civilians over matters of honour became more common. This brings us to an area that I think is particularly suited to interesting fiction of both the historical and fantasy varieties and is the reason behind this blog post. With people being quite sensitive to any perceived slight on their character, there is a huge amount of potential for conflict development in stories. Instead of going home and being angry about an insult for a few days and then forgetting about it, it was quite likely that a gentleman in this era would draw, or at least attempt to draw blood over it!


This is blog number 2 in my ‘inspiring areas of history’ theme. The same disclaimer in the first one applies here!

I’m sure most of you have seen the diagrams from da Vinci’s notebooks of flying machines, tanks and other ahead of their time ideas. For me however, the factor that had the biggest impact on the development of technology during the Renaissance period was gunpowder.

It first appeared in Western Europe at some point in the latter half of the thirteenth century. By the battle of Crécy in 1346, canon were appearing on the battlefield. Gunpowder was yet to take centre stage; at Agincourt in 1415 it was the longbow that drew fame in contributing to the English defeat over the French, due to its success against the French cavalry.

The drawback with the longbow was that it required considerable training to use effectively, not to mention a huge amount of strength to draw. The firearm on the other hand required far less time to train someone in its use. In defining the move from the feudal age, perhaps the most significant aspect is the effect that canon had on siege warfare; they essentially rendered the medieval castle obsolete.

Similarly, by the latter half of the 16th century, with the development of the musket, it was virtually impossible to make a suit of armour that could withstand a bullet. Indeed, handguns were so effective that cavalry forces dropped the lance in their favour, which also aided in the decline of the use of armour, as mobility was favoured over heavy protection. Armour was gradually reduced, piece by piece until all that was left were the helmets and breastplates that were still in use at the time of the Napoleonic wars.

As with all great change, it is rarely possible to attribute it to any one single factor; most often there are many, but the introduction and ever greater use of gunpowder must be seen as significant among them.

In terms of inspiration for writing, I think the aspect of change discussed here is very fertile ground. This period marks a shift in military culture, from feudal knights in ever more elaborate armour and their levies, to standing forces that were taking on the first characteristics of modern armies. This means certain individuals would find themselves and their way of thinking obsolete, while for others, more receptive to change and perhaps less heavily invested in what had come before, there were great opportunities to be had. The dynamic of the clash between old and new ideas is always a very interesting concept to explore and this period, 1400-1600 or so, provides a great many examples.

Additionally, if you write fantasy, there is also the clash between technology and magic. Would the presence of magic stifle the need for technological development? Would proponents of the two different concepts come into conflict? Plenty of inspiration to work with here I think!

The Condottieri

This is the first of my blogs on historical subjects that interest me and influence my writing. They are not intended to be a authoritative exposition on the subject area, just a general discussion on things that interest me. If the topic catches your imagination, a peer reviewed academic work is the place to go for the definitive story! Feel free to point out if you think there is anything blatantly wrong, but I hope to keep it all as accurate as I can!

Today’s subject is the condottieri. To me, even the word is quite eye catching. Simply put, it derives from the Italian word for ‘contract’, and it was used to refer to the mercenary troops that were prevalent in Northern Italy from roughly the middle of the 14th century.

A large proportion of these troops, particularly in the early days, came from other parts of the world, many being English troops looking for work during the lulls in fighting during the Hundred Years War in France. The Germanic mercenary Landsknechts are another example, but there were men from many parts of Europe present.

Around this time, Northern Italy was becoming very wealthy, with several towns and cities growing and seeking to assert both their independence and authority. As these cities and the personalities behind them started to come into contact with each other, violence often ensued. This created a vibrant market for the services of mercenaries.

There are a number of very colourful characters in the story of the condottieri, such as Sir John Hawkwood, an Englishman who had fought in France and later was in the service of Florence, where he would ultimately be granted citizenship and become something of a hero. He is also notable for leading one of the great mercenary bands, The White Company.

The stories of the condotierri make for very interesting reading; they were heroes and villains and they lived lives of adventure and violence and there is so much inspiration to be drawn from them that a 500-ish word blog post can’t even begin to scratch the surface. While there were many larger than life characters, most were just ordinary soldiers who passed in and out of this world unnoticed, but they too had stories, even if they’ve never been told.

The condottieri were just one element in the society of early Renaissance Italy, and there were many factors that contributed to their existence, some of which will form the topics for later posts in this series. It was a particularly conflicted era, with so much beauty being created by famous artists like da Vinci and Michaelangelo on the one hand, and a huge amount of violence on the other. As such it is a very rich and vibrant period and it represents one of my favourite in history. There was so much change as the old feudal order of the medieval world began to give way to the concept of early modern Europe. It’s an incredibly interesting and inspirational area for both fantasy and historical fiction writers.

Coming up next…

I’ve mentioned in a few previous posts the influence that history has on my writing, and I think also the fact that I started off writing historical fiction but drifted toward fantasy for the greater imaginative freedom this genre offers. History as a subject represents something of a first love for me and I have a masters degree in the subject.

This leads me to the subject matter of this post. For my next few posts, kind of a Christmas special, I’m going to spend a bit of time talking about the historical periods that interest me and the aspects of them that have been particularly influential on my fantasy writing. In terms of discussion, it’s also something that I can talk about ’till the cows come home with a smile on my face, so feel free to pitch in if you’ve anything to add or would like to hear more about any topic I’ve touched on.

I expect I’ll start posting them either toward the end of this week or early next week, so do try to contain your excitement until then!